Here are the slides from the exam information meeting in Metochi: Link to pdf of "What's next", Exam information etc. 09. August 2024 Video from demonstration in Lesvos: How to make a simple post on Encountersproject.com (not featuring Divi, just the basic WordPress...
6: Summer course 2024
Drop Box Folder
Slides and materials from presentations Lesvos
Here's a collection of the slides etc. that we have shared from the Lesvos presentations: Here's the link to A.Peleshian's short film, which Danai shared! Here's a link to Panos presentation slides and references (pdf):Link to pdf of "What's next", Exam...
Programme draft: Updated 8 August
For the record: These are the pages of the programme of week 1: Page 1, page 2
Practical information from Metochi
Link to pdf: information letter from Metochi Link to room plan (participants from encounters summer school)
A musing on the joy of old cars, driving for the sake of driving, or an encounter with car culture
(Encounters, Module 1, "Don't make a project") https://player.vimeo.com/video/990919296?badge=0&autopause=0&player_id=0&app_id=58479 As I recently cycled 400 kilometres from Gothenburg in Sweden to Copenhagen in Denmark, I came to think (more than usual)...
SPEAKINGK I CREATE
The power that resonate with in me beckons on my lhands and pulsates with my speech
What are the borders of an archive?
"Art enters into the person, and the person enters into the work of art. It's not about understanding." -Joseph Beuys One of the key points for me is the experience of artist Euridice Zaituna Kala in the book "Reclaim Artistic Research." Euridice Zaituna Kala...
Module #3, “The Place of Site-Specificity: Society, Politics and Culture in Contemporary Lesvos”
An anthropological introduction to the island of Lesvos in historical and ethnographic perspective. Special issues in the ethnography of Lesvos. The transformation of Lesvos from a “peripheral” island of modern Greece to a “cosmopolitan” hotspot of Global South. Do...
from 5.30 to 9.30
“With all the good intentions, excellent craftsmanship, and even with the reliability and eloquence of a particular story, representing Others is always going to be a complicated and contentious undertaking.” — Madison, D. S. (2011). Critical ethnography: Method,...